The advanced preferences are consolidated and easily enabled/disabled from a single checkbox. The interface has an updated, Big Sur-friendly look. As a result, the "Auto demix by channel if multitrack recording "project setting is gone. 2 Keyboards) and assign them to dedicated tracks. You can, for example, use multiple MIDI input devices (e.g. After many decades of requests, Logic now has independent MIDI port and channel input assignments for each track. There are, as always, a host of other significant enhancements. But this integration does mean a lot of people will be able to start experimenting with Dolby’s immersive format at no additional cost if you already have Logic Pro X. You should check your mixes on a 7.1.4 speaker system before releasing the tracks. That said, Dolby strongly recommends that that should not mix a track in Dolby Atmos only using headphones. The Apple version of the Dolby Atmos plug-in on the Master Channel provides monitoring options from binaural up to a dedicated 7.1.4 monitoring setup.
Yes, you can start with headphones only, and no, you don't need a full surround enhanced monitoring set up in your studio. Let's get the first question going through everyone's mind right now out of the way. But let's look at the headline feature first. Of course, there are many other small, and not so small, improvements in this update. No sound engineering degrees are required! So, this truly is Dolby Atmos for the rest of us. There are default settings under the hood in the Dolby Atmos Master file (ADM BWF file) that Logic Pro creates and exports that take care of many things for us behind the scenes. The new integrated native Dolby Atmos functionality focuses on music production for Apple Music and streaming. That sounds like a lot for most of us music makers who have likely never even touched Logic's surround functions to digest. Welcome to Logic Pro 10.7, now with Dolby Atmos.